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Jean Michael Basquiat

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... on artists from the early 1980s to the present. For instance, the exhibition highlights Jean-Michel Basquiat, one of a handful of African-American artists to be granted influence on art since the early 1980's. The showing is in some ways a celebration of hip-hop's longevity. It includes Jean-Michel Basquiat's 1984 S. Lee in a sort of anthropological subtext. Jean-Michel Basquiat's acrylic and color Xerox collage Toxic (1984) clearly reflects the energy of hip hop, and hints at human (Michaels 410). Michaels also finds that the idea of Nature for Thoreau excludes humanity, though this also runs counter to what Thoreau Beesley Michael E., and Michael A. Kemp. Urban Transportation. Volume II. Urban Economics. Edited by Edwin S. Mills. ...



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Sources list for JEAN MICHAEL BASQUIAT:

Lacayo, R. (2005, March 28). "How does `80s art look now? A new retrospective of work by Jean-Michel Basquiat raises the question, How much of value did that big decade leave behind? Time. Accessed: 2005, 3 April.
The Price of Art

Manzoni, Jean-Francois and Jean Louis Barsoux : "The set-up-to-fail syndrome" Boston: Harvard Bus. Review, Mar/April 1998
Strategies to Retain Good Employees

Bodin: Franklin, Julian, Jean Bodin and the Rise of Absolutist Theory (1973); King, Preston, The Ideology of Order: A Comparative Analysis of Jean Bodin and Thomas Hobbes (1974); Mayer, J. P., ed., Fundamental Studies of Jean Bodin (1979).
Leaders in Political Philosophy

Sherwood Anderson to Jean Toomer, 22. December 1922, reprinted in Jean Toomer, Cane, ed. Darwin Turner (New York: W.W. Norton, 1988), 160.
Jean Toomer’s "Cane"

James Kraft "Jean Toomer's Cane"; Therman B. O'Daniel: Jean Toomer: A Critical Evaluation. College Language Association (U.S.) Howard University: Washington, DC. 1988
Jean Toomer’s "Cane"

 


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